The year is 2050, in this future giving birth is nothing more than a simple formality. But the birth of Désiré will be much more painful...

In a mysterious space, bodies of dancers work on the rhythms cultivated by the orchestras of Buenos Aires.

A man who loves his father dearly and protects him from all dangers is shocked to realize certain things that don't seem to be what they are.

Brad Jones and his friends try a vast array of exotic and disgusting foods.

Satya, the son of a priest, leads a straightforward life until he meets the girl of his dreams. His love for her drags him into the world of crime, making him lose everyone he is close to.

Set against the backdrop of a NYC heatwave, OM reveals the inner most thoughts that bombard a group of yoga students during their session while exploring the split decisions we make in life - as their worlds collide, the final bell rings.

Om 　　(1986) 4 mins. Colour. Sound. 16mm. 　　"This four minute film explores our response to stereotypes - aural, visual and ideological. Smith signals these stereotypes to the viewer through a chiefly associational system, which deftly manipulates the path of our expectations. The structure is stunningly simple and deceptively subtle. We are taken on a journey from one concrete stereotype to its diametric opposite, as images transform and juxtapose to, ultimately, invert our interpretation of what we see and hear." Gary Davis. 　　"This is hardcore cinema." Peter Kubelka, ‘What is Film’ lecture series, London 2001.

Set against the backdrop of a NYC heatwave, OM reveals the inner most thoughts that bombard a group of yoga students during their session while exploring the split decisions we make in life - as their worlds collide, the final bell rings.

Om 　　(1986) 4 mins. Colour. Sound. 16mm. 　　"This four minute film explores our response to stereotypes - aural, visual and ideological. Smith signals these stereotypes to the viewer through a chiefly associational system, which deftly manipulates the path of our expectations. The structure is stunningly simple and deceptively subtle. We are taken on a journey from one concrete stereotype to its diametric opposite, as images transform and juxtapose to, ultimately, invert our interpretation of what we see and hear." Gary Davis. 　　"This is hardcore cinema." Peter Kubelka, ‘What is Film’ lecture series, London 2001.

Behind the scenes of an ambitious staging of the opera The Marriage of Figaro, an accusation of sexual assault emerges, upsetting the balance of the cast. The film explores the tensions linked to generational conflicts and individual stances, in an artistic context in crisis.